Showing posts with label Poems. Show all posts
Showing posts with label Poems. Show all posts

Tuesday, June 16, 2009

Happy Bloomsday!

I'm planning to read Molly's soliloquy today in celebration. "Yes because he never did a thing like that before as ask to get his breakfast in bed with a couple of eggs since the City Arms hotel..."

A good day for poetry in general -- I saw this Poem on the Underground today:

LIKE A BEACON

In London
every now and then
I get this craving
for my mother's food
I leave art galleries
in search of plaintains
saltfish/sweet potatoes

I need this link

I need this touch
of home
swinging in my bag
like a beacon
against the cold

Grace Nichols

Friday, April 17, 2009

Hold on to your room, Mark!

Pinball machines, beware!

I'm bound for Ithaca.

I have accepted a one-year visiting position at Cornell, starting this fall. (The Brits always snicker when I say "fall", meaning autumn. I'm happy to take on their plural "maths" and their old school "trousers" and even, eventually, their foreshortened "veg", but using autumn in this context as an American makes me feel pretentious.)

The offer is conditional on one small minor little trifling detail (having my PhD), so I'm a bit busy at the moment.


Ithaca
Constantine P Cavafy

When you set out for Ithaka
ask that your way be long,
full of adventure, full of instruction.
The Laistrygonians and the Cyclops,
angry Poseidon - do not fear them:
such as these you will never find
as long as your thought is lofty, as long as a rare
emotion touch your spirit and your body.
The Laistrygonians and the Cyclops,
angry Poseidon - you will not meet them
unless you carry them in your soul,
unless your soul raise them up before you.

Ask that your way be long.
At many a Summer dawn to enter
with what gratitude, what joy -
ports seen for the first time;
to stop at Phoenician trading centres,
and to buy good merchandise,
mother of pearl and coral, amber and ebony,
and sensuous perfumes of every kind,
sensuous perfumes as lavishly as you can;
to visit many Egyptian cities,
to gather stores of knowledge from the learned.

Have Ithaka always in your mind.
Your arrival there is what you are destined for.
But don't in the least hurry the journey.
Better it last for years,
so that when you reach the island you are old,
rich with all you have gained on the way,
not expecting Ithaka to give you wealth.
Ithaka gave you a splendid journey.
Without her you would not have set out.
She hasn't anything else to give you.

And if you find her poor, Ithaka hasn't deceived you.
So wise you have become, of such experience,
that already you'll have understood what these Ithakas mean.


Friday, March 20, 2009

Spring!


Unseen Buds
Walt Whitman

Unseen buds, infinite, hidden well,
Under the snow and ice, under the darkness, in every square or cubic inch,
Germinal, exquisite, in delicate lace, microscopic, unborn,
Like babes in wombs, latent, folded, compact, sleeping;
Billions of billions, and trillions of trillions of them waiting,
(On earth and in the sea--the universe--the stars there in the
heavens,)
Urging slowly, surely forward, forming endless,
And waiting ever more, forever more behind.



O sweet spontaneous
e.e. cummings


O sweet spontaneous
earth how often have
the
doting

         fingers of
purient philosophers pinched
and
poked

thee
,has the naughty thumb
of science prodded
thy

      beauty      .how
oftn have religions taken
thee upon their scraggy knees
squeezing and

buffeting thee that thou mightest conceive
gods
       (but
true

to the incomparable
couch of death thy
rhythmic
lover

        thou answerest

them only with

                        spring)




The Trees
Philip Larkin

The trees are coming into leaf
Like something almost being said;
The recent buds relax and spread,
Their greenness is a kind of grief.

Is it that they are born again
And we grow old? No, they die too.
Their yearly trick of looking new
Is written down in rings of grain.

Yet still the unresting castles thresh
In fullgrown thickness every May.
Last year is dead, they seem to say,
Begin afresh, afresh, afresh.

Wednesday, March 11, 2009

“Do I dare?” and, “Do I dare?”

These are the words that have been ringing through my head all day, and apparently the answer is Yes.

and yes I said yes I will Yes.

Do I dare turn down a job offer (well, an invitation for an on-campus interview anyway) in this job market (academic math jobs)?

Yes.

In this job market in this economy?!?

Yes.

And indeed there will be time
To wonder, “Do I dare?” and, “Do I dare?”
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—
[They will say: “How his hair is growing thin!”]
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
[They will say: “But how his arms and legs are thin!”]
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.
From The Love Song of J. Alfred Prufrock
By T. S. Eliot

The approaching end of my PhD experience is an opportunity. I have been travelling this path with little regard to my priorities. This is a chance to reshape my life to something more in line with what is most important to me. One of my top priorities is being close to home. And so, Yes, I dare (in spite of the peer pressure) to reject an opportunity in the midwest. Even if that means jettisoning academia. Even if that means unemployment. Maybe it's time for something completely different anyway. Or maybe I'll get another academic opportunity somewhere I can actually, in my heart, call home.

Another top priority, by the way, is Go, which has been more or less on hold for far too long. Speaking of which, I go to Amsterdam tomorrow to visit Guo Juan!

Thursday, November 06, 2008

Mind Without Fear


Where the mind is without fear and the head is held high;

Where knowledge is free;

Where the world has not been broken up
into fragments by narrow domestic walls;

Where words come out from the depth of truth;

Where tireless striving stretches its arms towards perfection;

Where the clear stream of reason
has not lost its way into the dreary desert sand of dead habit;

Where the mind is led forward by thee into ever-widening thought and action---

Into that heaven of freedom, my Father, let my country awake.


-- Rabindranath Tagore

Wednesday, October 22, 2008

Yellow fog

The other day I awoke to an eerie muted yellow glow that was neither street light nor sun light, but could only be the remnants of the famed yellow fog of Prufrock fame.

The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.
From The Love Song of J. Alfred Prufrock
By T. S. Eliot

Wednesday, July 16, 2008

King Lear at the Globe

France. Fairest Cordelia, that art most rich being poor,
Most choice forsaken, and most lov’d despis’d!
Thee and thy virtues here I seize upon,
Be it lawful I take up what’s cast away.
Gods, gods! ’tis strange that from their cold’st neglect
My love should kindle to inflam’d respect.
Thy dowerless daughter, king, thrown to my chance,
Is queen of us, of ours, and our fair France.
Not all the dukes of waterish Burgundy
Can buy this unpriz’d precious maid of me.
Bid them farewell, Cordelia, though unkind;
Thou losest here, a better where to find.



Edm. This is the excellent foppery of the world, that, when we are sick in fortune,—often the surfeits of our own behaviour,—we make guilty of our disasters the sun, the moon, and the stars; as if we were villains on necessity, fools by heavenly compulsion, knaves, thieves, and treachers by spherical predominance, drunkards, liars, and adulterers by an enforc’d obedience of planetary influence, and all that we are evil in, by a divine thrusting on. An admirable evasion of whoremaster man, to lay his goatish disposition on the charge of a star! My father compounded with my mother under the dragon’s tail; and my nativity was under Ursa Major; so that it follows, I am rough and lecherous. Fut, I should have been that I am, had the maidenliest star in the firmament twinkled on my bastardizing. Edgar—

Enter EDGAR

and pat he comes like the catastrophe of the old comedy. My cue is villanous melancholy, with a sigh like Tom o’ Bedlam —O, these eclipses do portend these divisions! fa, sol, la, mi.


The ending was so powerful. The play, of course, ends in carnage and despair. Then the music started, melancholy at first, and the minor characters returned to the stage, touching the corpses on stage to revive them. They in turn would awake the others. Goneril and Regan woke Cordelia who in turn finally woke Lear. Even as they rose, they were all still overflowing with sorrow. But then the music started to pick up and they moved into a dance, stomping their feet in time to the music, with a crescendo into a jig, allowing, at long last, the release of the sorrow and the much needed outbreak of smiles and laughter. What a beautiful way to end the play.

Afterwards, we stayed at the bar there for a pint. Everyone else left and the place was pretty much deserted until a few minutes later when the entire cast came out and sat next to us for their post show drinks. So we got to bask in the glory of their performance a little while longer.

Thursday, June 19, 2008

This is Just to Say

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

---William Carlos Williams

Monday, June 16, 2008

Bloomsday


-- But what about the fighting navy, says Ned, that keeps our foes at bay?

-- I'Il tell you what about it, says the citizen. Hell upon earth it is. Read the revelations that's going on in the papers about flogging on the training ships at Portsmouth. A fellow writes that calls himself Disgusted One.

So he starts telling us about corporal punishment and about the crew of tars and officers and rearadmirals drawn up in cocked hats and the parson with his protestant bible to witness punishment and a young lad brought out, howling for his ma, and they tie him down on the buttend of a gun.

-- A rump and dozen, says the citizen, was what that old ruffian sir John Beresford called it but the modern God's Englishman calls it caning on the breech.

And says John Wyse:

-- 'Tis a custom more honoured in the breach than in the observance.

Then he was telling us the master at arms comes along with a long cane and he draws out and he flogs the bloody backside off of the poor lad till he yells meila murder.

-- That's your glorious British navy, says the citizen, that bosses the earth. The fellows that never will be slaves, with the only hereditary chamber on the face of God's earth and their land in the hands of a dozen gamehogs and cottonball barons. That's the great empire they boast about of drudges and whipped serfs.

-- On which the sun never rises, says Joe.

-- And the tragedy of it is, says the citizen, they believe it. The unfortunate yahoos believe it.

They believe in rod, the scourger almighty, creator of hell upon earth and in Jacky Tar, the son of a gun, who was conceived of unholy boast, born of the fighting navy, suffered under rump and dozen, was scarified, flayed and curried, yelled like bloody hell, the third day he arose again from the bed, steered into haven, sitteth on his beamend till further orders whence he shall come to drudge for a living and be paid.

From Ulysses, James Joyce

Tuesday, December 18, 2007

BCS

Though I'm still not playing any Go these days, I am working again on Basic Corner Shapes via Cho Chikun's life and death dictionary. This one (white to play) is one of my favourites:



Here's a poem by Sylvia Plath to knock the answer off the page and out of sight. (So read the problem before the poem.)

Mushrooms

"Overnight, very
Whitely, discreetly,
Very quietly

Our toes, our noses
Take hold on the loam,
Acquire the air.

Nobody sees us,
Stops us, betrays us;
The small grains make room.

Soft fists insist on
Heaving the needles,
The leafy bedding,

Even the paving.
Our hammers, our rams,
Earless and eyeless,

Perfectly voiceless,
Widen the crannies,
Shoulder through holes. We

Diet on water,
On crumbs of shadow,
Bland-mannered, asking

Little or nothing.
So many of us!
So many of us!

We are shelves, we are
Tables, we are meek,
We are edible,

Nudgers and shovers
In spite of ourselves.
Our kind multiplies:

We shall by morning
Inherit the earth.
Our foot's in the door."

This is only one variation. White 1 is the proper first move, but then there are a number of things Black might try (none of which work). I particularly like this sequence though — an elegant little kill.

Sunday, September 02, 2007

Sunni Patterson

Amy Goodman had Sunni Patterson and Truth Universal on Democracy Now! the other day.



So we know this place,
for we have glanced more times than we'd like to share
into eyes that stare with nothing there
behind them but an unfulfilled wish
and an unconscious yearning for life
though death rests comfortably beside us.
At night their moans are louder.
They come to visit the guards at the gate,
and they stay until morning
torturing their guilt-ridden insides.
The silent cries of the keepers are louder
than the booms that come from the guns
they use to occupy the space.
And we know this place,
for we have seen more times than we'd like to imagine
bloated cadavers floating through waters of a city gone savage,
foraging the land for what can be salvaged.
But what can be saved when all is lost?
It happened in August, twenty-nine days in.
We are now five days out of the only place
we knew to call house and home.
Few things are certain:
one, we have no food;
two, there are more bodies lying at the roadside
than hot plates being distributed
or first aid being administered
or recognition as a citizen.
Fourteenth Amendment, X, refugee, check.

And we know this place.
It's ever-changing yet forever the same:
Money and power and greed, the game.
They suck and devour the souls of the slain.
What a feast for the beast at their table of shame
with napkins around necks that catch the blood that drains
from the flesh they chew, it's hailed again.

And we know this place, all too well,
dank with the smell of death and doom.
It hovers, it smothers, no growth, no room,
no pretty, no please, just grey, just gloom,
just burned me of hope, and it died too soon,
just juckin’, just jiving, just living, we just fools.

And we know this place. It’s decked in all its array and splendor,
golden streets with good intentions
capture our attention, gadgets and inventions
pesticide the food supply, flu-like symptoms,
diabetic condition, a cancer in the system,
held on hold, it’s a pistol to the temple.
Go run to the churches, tell reverend it’s simple.
Good works and good deeds is what equals redemption,
but tell me, please, Jesus never mentioned,
how do churchmen get extensions on freedom,
while children are being fondled
from the altar to the streets, then back to the sanctuaries?
It's kind of scary, ain’t it?
to know that both the prophet and the priest practice deceit,
then come to the people and claim peace, peace,
come to the people and claim love, love.
But where is the peace, huh?
Where is the love?
Where that balm in Gilead
that can heal the wounded soul
or make the half-man whole?

I swear, we know this place,
because we have vowed before never again to return,
but here we are, back in the desert,
dry mouth and thirsting for waters from Heaven.
But come, come, children, rally around,
and maybe together we can make a sound
that will shake the trees or rattle the ground,
make strong our knees,
we's freedom bound.

And we know this place.
Reclaim the crown.
Hold onto the prize,
never put it down.
Be firm in the stance,
no break, no bow,
got to forward on, Mama,
make your move now. Forward on, Papa,
make your move now.
Forward, dear children,
’cuz freedom is now.

-Sunni Patterson

Wednesday, January 03, 2007

"Perm"

Cactus by Kate
The world goes on
The junkey drops his butt
Children yell 'Hallelujah
    praise God!'
in the streets of sorrow parade

-Jack Kerouac

Friday, November 10, 2006

Tagore Exhibit


"The Gift"

If you would have it so,
I will end my singing.


If it sets your heart aflutter,
I will take away my eyes from your face.

If it suddenly startles you in your walk,
I will step aside and take another path.

If it confuses you in your flower-weaving,
I will shun your lonely garden.

If it makes the water wanton and wild,
I will not row my boat by your bank.






"In the Dusky Path of a Dream"

In the dusky path of a dream I went to seek the love who was mine
in a former life.

Her house stood at the end of a desolate street.
In the evening breeze her pet peacock sat drowsing on its perch,
and the pigeons were silent in their corner.

She set her lamp down by the portal and stood before me.
She raised her large eyes to my face and mutely asked, "Are you
well, my friend?"
I tried to answer, but our language had been lost and forgotten.

I thought and thought; our names would not come to my mind.
Tears shone in her eyes. She held up her right hand to me. I
took it and stood silent.

Our lamp had flickered in the evening breeze and died.



I stopped by the British Museum this evening to see the small but stunning exhibit of Rabindranath Tagore paintings. In some ways, these small paintings are just doodles, but the deep layers of color are masterful and bring the abstract animals to life against a background of sorrow mingled with hope. These are a few of his many poems. I hadn't known that he had done any painting.



"Mind Without Fear"

Where the mind is without fear and the head is held high;

Where knowledge is free;

Where the world has not been broken up
into fragments by narrow domestic walls;

Where words come out from the depth of truth;

Where tireless striving stretches its arms towards perfection;

Where the clear stream of reason
has not lost its way into the dreary desert sand of dead habit;

Where the mind is led forward by thee into ever-widening thought and action---

Into that heaven of freedom, my Father, let my country awake.

Saturday, September 23, 2006

slowly sipping tea
chrysanthemums fully bloom
below the surface

Saturday, September 16, 2006

Morning at the Window

They are rattling breakfast plates in basement kitchens,
And along the trampled edges of the street
I am aware of the damp souls of housemaids
Sprouting despondently at area gates.

The brown waves of fog toss up to me
Twisted faces from the bottom of the street,
And tear from a passer-by with muddy skirts
An aimless smile that hovers in the air
And vanishes along the level of the roofs.

-T. S. Eliot

Monday, September 11, 2006

a gift of e. e. cummings

you shall above all things be glad and young
For if you're young, whatever life you wear


it will become you; and if you are glad
whatever's living will yourself become.
Girlboys may nothing more than boygirls need:
i can entirely her only love


whose any mystery makes every man's
flesh put space on; and his mind take off time


that you should ever think, may god forbid
and (in his mercy) your true lover spare:
for that way knowledge lies, the foetal grave
called progress, and negation's dead undoom.


I'd rather learn from one bird how to sing
than teach ten thousand stars how not to dance